Filmmakers have advanced a long way from the early usage of those rear projection scenes. We laugh at those now however Hollywood FX had to begin someplace. Today, directors can contact the latest cutting-edge technology to assist them inform their story. Some people believe that there is an over reliance on unique effects, to the detriment of story and characterization. New methods have had one of the most effect on historic epics, sci-fi and animation.
Matte painted backgrounds and miniature designs served movies well for a very long time, making it possible for futuristic movies such as Fritz Lang's Metropolis. A mix of minis and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in motion pictures that included Jason and the Argonauts and The Golden Voyage of Sinbad. War movies that needed sea fight video used miniature models in big water tanks. This, and a technique called taking a trip matte, created the splitting of the Red Sea scene in The Ten Commandments. No miracle was beyond the power of special effects experts.
Additional development came when effects supervisor Douglas Trumball created new methods for the final voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the difficulty and shocked audiences with Star Wars in 1977. His team created a new computer controlled camera that improved duplicated electronic camera movement and widescreen shots. Lucas then formed Industrial Light and Magic, the business that has actually pioneered Hollywood FX ever since.
Today, we are used to the concept of films being shot with a blue screen and the background being included later. The effects group at Pixar has presented it to their full length animations, such as Toy Story. The Weta workshop in New Zealand has actually developed a reputation as one of the finest special effects business, especially considering that the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has actually made the return of the epic film possible. It would have been cost expensive to develop a mock up of the Coliseum in Gladiator. Russell Crowe battles the lions in a CGI virtual world.
We laugh at those now however Hollywood FX had to start somewhere. A mix of miniatures and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in films that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has originated Hollywood FX ever since.
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